THE TIME TRAVELLER’S WIFE: THE MUSICAL
WITH MUSIC & LYRICS BY JOSS STONE & DAVE STEWART
& BOOK BY LAUREN GUNDERSON
TO PREMIERE AT STORYHOUSE, CHESTER
FROM 30 SEPTEMBER 2022 FOR TWO-WEEK SEASON
AHEAD OF WEST END TRANSFER
The Time Traveller’s Wife: The Musical, based on the best-selling novel by Audrey Niffenegger and the New Line Cinema film screenplay by Bruce Joel Rubin, will premiere at Storyhouse in Chester from 30 September to 15 October 2022. The two-week season will precede a West End transfer, to be announced at a later date. The Box Office for the Storyhouse members is now open and it will open to non-members from 12 noon on 21 February.
With a book by Lauren Gunderson, original music and lyrics by Joss Stone and Dave Stewart and additional lyrics by Kait Kerrigan, the production will be directed by Bill Buckhurst and designed by Anna Fleischle, with choreography by Shelley Maxwell, lighting design by Lucy Carter, illusions by Chris Fisher, video design by Andrjez Goulding, sound design by Richard Brooker, musical supervision & arrangement by Nick Finlow and orchestrations by Bryan Crook. Casting will be by Stuart Burt CDG. It will be produced by Colin Ingram for InTheatre Productions, Gavin Kalin Productions, Teresa Tsai and Crossroads Live, by special arrangement with Warner Bros. Theatre Ventures.
Henry and Clare’s love story is like no other and yet like all others; they meet, flirt, fight, love, marry… but all out of order. Henry is often and uncontrollably ripped out of time, because he suffers from a rare condition where his genetic clock periodically resets, pulling him into his past or future, vanishing before one’s eyes, never knowing where or when he’s going next. Except he knows he’ll always come back to Clare, whether she’s 5 years old playing in a field or 85, dreaming of her time-travelling husband.
Lauren Gunderson said of adapting the novel, “I will never forget reading the last chapter of Audrey Niffenegger’s book over ten years ago and being floored by its thunderous emotion and potent humanity. I knew this love story belonged on stage with music and vision that matches its emotional punch and soaring feeling. I know this musical will lift, delight, hearten and exhilarate.”
Audrey Niffenegger said of the adaptation, “I am thrilled that my book is being adapted for the stage and with the very talented artists who are creating the musical. I am really looking forward to seeing what they do with it.”
The Time Traveller’s Wife: The Musical weaves a heart-breaking and soaring original musical score by multi Grammy Award-winning composers Joss Stone and Dave Stewart with one of the most beloved novels of the last 50 years. All couples ask how to truly know one another, to trust, to commit, to build a family, to work at something bigger than ourselves. Not all of us are time travellers. How do you love across time?
Producer Colin Ingram said, “I am so delighted to be bringing this incredible new musical to the 750-seat Chester Storyhouse for a two-week run prior to a transfer to the West End and beyond. We are excited to come to this fantastic new theatre, which has an incredible ethos of accessibility and nurture lead by CEO Andrew Bentley, and to show the people of Chester and the North West this exciting, thrilling and beautiful new musical which Joss Stone and Dave Stewart have written stunning new songs for. For those who have not been to the Storyhouse, this premiere is the time to come and enjoy a fantastic musical in a fantastic venue with a great atmosphere and facilities.”
Dave Stewart and Joss Stone said of working together on the new musical, “We have been on many crazy adventures together but we’ve never ‘Time Travelled’ till meeting Lauren Gunderson. Writing these songs together whilst being in different locations on different time zones has been a trip (literally), throwing us into an eddy of emotive melodies and heart-wrenching lyrics to go with the push and pull of this unusual love story. We all time travel in our relationships and in our lives in general, but to write something that people will see and hear happening live on stage is thrilling to imagine, and hearing Bill Buckhurst’s interpretations of Lauren’s script for stage as we went along has been so inspiring.”
Lauren Gunderson has been one of the most produced playwrights in the US since 2015, topping the list twice, including 2019/20. She is a two-time winner of the Steinberg/ATCA New Play Award for I and You and The Book of Will, the winner of the Lanford Wilson Award and the Otis Guernsey New Voices Award, a finalist for the Susan Smith Blackburn Prize and John Gassner Award for Playwriting, and a recipient of the Mellon Foundation’s Residency with Marin Theatre Company. She co-authored the Miss Bennet plays with Margot Melcon.
Grammy and Brit award-winning singer-songwriter, Joss Stone, has released seven studio albums since she secured a record deal at 15 and released her critically acclaimed debut album, The Soul Sessions, in 2003. Performing alongside many legendary artists such as James Brown, Herbie Hancock, Stevie Wonder, Gladys Knight, Sting, Van Morrison and Melissa Etheridge, she has collaborated with and contributed to albums for many of the world’s finest musicians, including Jeff Beck, Mick Jagger and Damien Marley. In 2015 her album Water for Your Soul was released, achieving the spot of the number-one reggae album upon release and voted best reggae album by
Billboard. In 2019, she completed her most audacious project to date, The Total World Tour, in which she has performed a gig and collaborated with local artists in over 200 countries around the world.
Joss Stone’s new album, Never Forget My Love, produced by Dave Stewart, was released on 11 February 2022.
Award-winning singer, songwriter, musician, producer and Eurythmics co-founder, Dave Stewart is recognised as one of the most respected and accomplished talents in the music industry today with a music career spanning four decades and over 100 million album sales. Stewart co-wrote and produced each Eurythmics album in his world-famous duo with Annie Lennox, and has also produced albums and co-written songs with Mick Jagger, Tom Petty, Bob Dylan, Gwen Stefani, Jon Bon Jovi, Stevie Nicks, Bryan Ferry, Katy Perry, Sinead O’Connor, Joss Stone and many others. Along the way, his work has garnered numerous awards, including 26 ASCAP and BMI Awards for the most-performed songs; four Ivor Novello Awards for Best Songwriter; four BRIT Awards for Best Producer, including a Lifetime Achievement Award; The Silver Clef Award; The Clive Davis Legend in Songwriting Award; a Golden Globe and a Grammy Award and he was inducted into the UK Hall of Fame. In 2018, Eurythmics was nominated for the Rock and Roll Hall of Fame. Most recently, they were inducted into the Grammy Hall of Fame for Sweet Dreams (Are Made Of This) and they will be inducted into The Songwriters Hall of Fame in June 2021.
In 2001, Stewart was approached by Nelson Mandela to help the fight against the Aids epidemic. Stewart developed a Global Campaign using Mandela’s prison number 46664. Stewart then went on to help organize the biggest concert ever staged in South Africa, appearing on stage with Beyoncé, Bono and Edge, Queen and many others, as well as bringing his long-time partner, Annie Lennox, on stage to perform together as Eurythmics. The concert was broadcast live to over 1 billion people. Stewart, along with songwriter/producer Glen Ballard, wrote the music for the musical adaptation of the 1990 Jerry Zucker film Ghost. With Mick Jagger, he wrote and produced the score for Alfie, starring Jude Law, which won the pair a Golden Globe for Best Original Song. More recently, Stewart created and is Executive Producer of the hit TV show for NBC, Songland.
Bill Buckhurst’s theatre directing credits for Tooting Arts Club include Sweeney Todd (West End, Harrington’s Pie and Mash Shop & Off-Broadway; Best Musical Off-West End Awards, Outstanding Revival of a Musical Lucille Lortel Awards, Best Musical Revival Off-Broadway Alliance, Best Off-Broadway Musical Theater Fans’ Choice Awards, Drama Desk Award nomination for Outstanding Director of a Musical), Barbarians, A Midsummer Night’s Dream and Tinderbox. Directing credits for Shakespeare’s Globe include Omeros, Hamlet (and International Tour), King Lear (and International Tour), Twelfth Night, Othello, The Merchant of Venice, Romeo & Juliet, A Midsummer Night’s Dream and Macbeth (Playing Shakespeare).
Anna Fleischle is an award–winning set and costume designer, working internationally in theatre, opera and dance. Her theatre designs include The Forest (Hampstead Theatre), Hamlet (Young Vic), Hangmen (West End/Broadway, 2016 Olivier Award Winner for Best Set Design, Critic’s Circle Award ‘Best Designer’, Evening Standard Award ‘Best Design’), Liberian Girl (Royal Court), Death Of A Salesman (Young Vic/West End), A Very Very Very Dark Matter (Bridge), Home I’m Darling (2019 Olivier Award Nominee for Best Set Design and Best Costume Design, Theatr Clwyd/National/ West End), Everybody’s Talking About Jamie (Crucible Sheffield West End, UK tour, Korea), Much Ado About Nothing and Troilus & Cressida (Globe), and Rosencrantz & Guildenstern Are Dead (Old Vic),
Shelley Maxwell’s choreography credits include Get Up, Stand Up! The Bob Marley Story (Lyric Theatre, London’s West End), Best Of Enemies (Young Vic), J’Ouvert (Sonia Friedman Productions Re:Emerge Season, Harold Pinter Theatre), After Life (National Theatre), Romeo & Juliet a film adaptation (a co-production between the National Theatre, Sky Arts & PBS), Master Harold…and the Boys, Hansard, Antony & Cleopatra, Twelfth Night and Nine Night (all National Theatre), Equus (Theatre Royal Stratford East and Trafalgar Studios) and Tartuffe (RSC). Shelley won the award for Best Choreographer at the inaugural British Black Theatre Awards in 2019 for her work on Equus.
Chris Fisher is a member of the Magic Circle and works worldwide as international illusions and magic consultant for Harry Potter and the Cursed Child. His theatre credits as illusion consultant include Back to the Future the Musical (Manchester and West End), The Prince Of Egypt (West End), Company (West End and Broadway), Big – the Musical (Plymouth, Dublin and West End), Peter Gynt (National), A Very Very Very Dark Matter (Bridge) and Angels in America (National and Broadway).
Colin Ingram’s producing credits include Billy Elliot, Breakfast at Tiffany’s, Ghost the Musical, Back to the Future the Musical and Grease, the latter of which will open at the Dominion Theatre in May 2022. The latter will open in the West End at the Adelphi Theatre in Summer 2021. Colin worked for Cameron Mackintosh for six years, general managing Les Misérables, The Phantom of the Opera and Oklahoma! (starring Hugh Jackman). He then joined Disney Theatrical to be Managing Director and General Manager, overseeing the London productions of The Lion King and Beauty And The Beast. Colin then joined the Old Vic as Executive Producer for the first two years of the Old Vic Theatre Company and on the West End premiere of Billy Elliot – the Musical, after which he joined Madison Square Gardens in New York to run their Productions division including the Radio City Rockettes Spectaculars.